"A story becomes important only after the worst is over. In this case the death of the 12 captured Nepalis." Charisma K Lepcha
Homeless, in a land no 
longer anyone's; as if banished at birth, 
parted from lives yet to be lived 
Abused.by those closing in 
by those closest to them, 
those who flee.flee as fast as, 
as far as. Half a world away, 
a stamp on a passport 
mistaken for a quadrant of light, 
a bellyful of time. These hands (on a clock) 
invariably a stump that twitches 
Heart-fused to sunder ties, 
rage readies itself with sermons 
Yoked beneath rage-raised hands 
phalanx-ed cries rise in demon supplication 
The ones with jagged breath 
have us. With sap to sweeten the wounds 
(Cruelty has no excuse, is no excuse) 
the tall-tellers, their centipede 
tongues numbed, the tale-tellers, 
in public rites of disavowal 
make their excuses, nonetheless 
As the land breaks open from below, 
each charge rooted in stone, 
usurps its source. Down through the bone 
marrow, fever feeds and thrives. In the onslaught, 
in the roiling tide as it turns, we. 
with enough vision to wrestle bones free of flesh, 
enough voice to rung-clamor higher, 
to unknot the knots that nail us, 
we flail and scratch. anticipating our loss, 
each helping hand skinned 
as it reaches. In the morning of mourning 
everyone sees what is lost 
Headlines torn from the wound 
In the newspaper morgues there's no way 
to raise the dead. How suspicious! 
Grief gags on the Ka! Kha! Ga! of Xplanation 
At the base camp for oddities and omens, 
the heart's half-life woozes away 
Brute lack pervades. At least humanity's tent 
(sic) is no mirage. You will be able, as before, 
to be as before. Off on your own Odyssey 
Like the clumsiest of cocks 
been there done that, your swamped enigmas 
surface in the fish-bowls of the poets 
Teeth jiggling in your pocket 
the choice is yours, coal-eyed tooth gatherers 
It's a saw-toothed sleepwalk 
or nothing. There's no end to dead ends 
Escape never lasts. Cause of death: 
being there (necessary) being Nepali (sufficient). 
Bone-jagged scrawls, gutted, incandescent 
screams, graffiti-like entrails. There are no guides here 
This is no dark wood for parables 
THE HOUR 
Battered down, bunkered heart, 
stone in a fist: how can words drain the wounds? 
Some names can no longer be spoken 
Some bodies can no more be named 
Scavengers too late, dogs and crows already gone, 
the sentry's seared eyes name you 
Anyone could be done in -randomly -deliberately 
Gone wrong/ can't be put right. Day, burden; 
night, burden. It sinks in. Orphaned, 
this unwanted now never stops. Brute incomprehension 
buries all. With a ready harvest of moon-dimmed eyes, 
we play deaf and dumb. Leveling the field, 
we play lord of the mountain, 
king of the hill. In this sullen shifting 
twilight, only doe-like beauties, hawking soap & lotion, 
appease weary wakeful Kathmandu 
Beggars know the hour. As leaders reissue manifestos 
of blame & praise, the bottom bottoms out, 
the bottomless takes hold. Fretful, yet above it all 
Addicted to, yet dismissive of all and any news, 
are you sure neither Manjushri's sword nor a tectonic shift. 
So sure? The capital.the citadel. can't be taken? 
Sandbagged. Dug in. Are you sure?

 
  
                 
  
 

